cdn.festival-cannes.com · This is a historical professional credit in the original work, not a claim of2023Cannes attendance or membership of its restoration team.
wikipedia · The work’s Wikipedia infobox also identifies this director’s professional credit.
wikipedia · The reviewed festival selection table also connects this director to the selected work.
wikipedia · The venue article supplies the Palais complex reference coordinates; the primary timetable names Salle Buñuel for this slot. This is a complex-level pin, not an exact seat or stage position.
cdn.festival-cannes.com · Original festival timetable confirms the named screening room, not a separate coordinate measurement.
The complete original work infobox, Cast section and Production credits block were reviewed, together with the specific Hitchcock cameo and theremin-performer sentences. Competing score-history/cue authorship, proposed personnel and character medical descriptions are not graph claims. The specific original screening timetable entry and festival selection table were also reviewed. Full end credits, unlisted guests, filming locations and physical presence at the screening remain unreviewed.
Hilary Saint George Saunders and Samuel Hoffman individual page retrievals failed; their credited roles remain source-scoped.
Coverage describes the cited sections reviewed for this record.
Sources and source trail
Sources and review
Wikipedia individual event record; Individually reviewed event clock, terrestrial location and participants
Chart type
event chart
Visibility
public event
Data quality
source review cleared
Library status
Reviewed public record
Source review
Reviewed source notes
Public reports
0
Reviewed
Oct 29, 2026, 7:30 AM
Source quality
Source quality: source quoted - minute precision
Wikipedia individual event record
Individually reviewed event clock, terrestrial location and participants
Source label: Wikipedia event review
The original festival timetable explicitly schedules this work in the named screening room at the stated local date and minute. The date/time column alignment was visually checked in the original PDF. This is the named scheduled screening, not observed first-frame time or a claim that no earlier screening occurred. Cast/creative credits describe the screened work, not personal gala attendance. Cannes used CEST, UTC+02:00. The festival table explicitly places this work under TheFilmFoundation restoration. The named original production credits do not imply work on this restored print; Dalí designed the dream sequence, and Hoffman is separately credited as theremin performer. No exact observed first-frame or cameo clock is normalized. Classics page 5 gives Spellbound (La Maison du Docteur Edwardes), directed by Alfred Hitchcock, on May 19 at 14:30 with BU. Competition page 2 independently gives Kuru Otlar Üstüne (About Dry Grasses), directed by Nuri Bilge Ceylan, on May 19 at 14:30 under Grand Théâtre Lumière. The individually reviewed work articles establish the distinct 1945 Hitchcock and 2023 Ceylan films. The same original PDF’s room legend explicitly maps BU to Salle Buñuel. Europe/Paris UTC+02 gives the shared UTC instant. The full locationName strings exactly match the existing venue registry and accepted counterpart. These are distinct simultaneous scheduled screenings in separate auditoriums sharing only a Palais-complex coordinate anchor. The PDF alone supports the adopted clock/room; the work pages resolve film identity. No observed first frame, identical room, personal attendance or room-centre pin is asserted.